I grew up next to a cemetery, and being an avid young artist, I loved to draw all kinds of monsters and spooky themes. Halloween books are a perfect way to express my creepy…but not too creepy side. When I look at Halloween picture books, I'm immediately focused on the pictures, long before I read the story. What medium did the artist use? How do they depict night scenes? Are they realistic or stylized? How interesting are their characters? Halloween picture books are a perfect way to create moody and somewhat scary scenes that balance the creepy with the not-so-creepy. Kids love to be scared, but we don’t want to give them nightmares!
The absolutely gorgeous watercolors in Cris Grimly’s 10 Spooky Pumpkins jumped out and stole my heart! Rich color and high contrast pump up the Halloween mood, while his sensitivity to letting the washes flow in their own way shows a freedom and respect for the watercolor medium.
Grimly’s characters, including witches, ghosts and goblins to name a few, are stylized enough to balance the creepy with fun originality. Outlining watercolor with an ink line can flatten the art. But Grimly picks and chooses his sepia line work to draw you into detail, and then holds off to let the washes sing, creating great depth and space in his scenes.
This book makes me want to paint more night scenes! Thanks, Cris Grimly!
Join celebrated creator Gris Grimly in this spooky countdown, as one little girl ventures out into the night for an unforgettable Halloween adventure!
10 little pumpkins, sitting in a line,looking for a cat and they found nine.The wind said SWOOSH and the gate went CREAK.The owl cried WHOOOO, we all screamed EEK! Celebrated creator Gris Grimly, widely known for his gothic style illustrations, puts a spooky twist on a favorite preschool rhyme in this Halloween read-aloud. Join goblins, ghosts, witches, and more in this rhythmic countdown, traveling through the countryside and discovering more Halloween creatures along the way. Finally, the…
While the imagery and color palette seem simplified in Eric Rohmann’s Bone Dog, the mastery of his black line carries the art for me in this touching tale about a boy and his dog.
Rohmann uses a woodcut technique to create his black outlining. To actually carve around a drawn image, leaving the drawing raised up to ink and print on paper takes a tremendous amount of time for a 32-page picture book. The results are well worth it, these pages are stunning.
What I really love is the little bits of black around many of the carved areas having picked up some of the ink and left on the print, giving an added sense of movement, similar to cartoon motion lines. The dancing skeletons and running dogs really come to life!
The background washes of rich blue watercolor enhance the Halloween night mood, resulting in a beautiful mix of media in this charming book.
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What is this book about?
One of School Library Journal's Best Picture Books of 2011
One of Horn Book's Best Picture Books of 2011
Ghost dogs and skeletons in a tall tale with a tender heart from the Caldecott Medal-winning creator of My Friend Rabbit.
Gus doesn't feel like doing much after his dog Ella dies. He doesn't really even feel like dressing up for Halloween. But when Gus runs into a bunch of rowdy skeletons, it's Ella--his very own Bone dog--who comes to his aid, and together they put those skeletons in their place. A book about friendship, loss, and a delightfully spooky Halloween.
While I am an intermediate student in digital art making, I am a big fan of digital art well done. Cale Atkinson’s fun ghosty picture book, Sir Simon: Super Scarer was a delight to discover!
Atkinson combines stylized skewed perspectives with a wealth of interesting design elements like multiple type styles, picture frame vignettes to divide up a page, hidden ghosts in wallpaper, inventive word balloons, cutaways, and active layouts to move the reader through this fun book.
What I really loved was Atkinson’s use of gravely textures over layers of saturated color favoring turquoise and terra cotta, with a smattering of purples and olives that made me smile.
Sir Simon goes through a heartwarming change in the story, but I had already fallen in love with his simply designed, emotional charm.
A delightful, funny story of friendship, ghost chores, a spooky house and a professional haunter.
Meet Sir Simon, Super Scarer. He's a professional ghost who has been transferred to his first house. And just in time! He was getting tired of haunting bus stops and forests and potatoes. And to top it off, this house is occupied by an old lady -- they're the easiest to haunt!
But things don't go as planned when it turns out a KID comes with this old lady. Chester spots Simon immediately and peppers him with questions. Simon is exasperated. . . until he…
What I loved most about Ashley Wolff’s How to Help a Pumpkin Grow was her color! This luscious book is filled with gorgeous, intense full-spectrum color! Wolff’s wet on wet washes flow seamlessly into each other as a base layer. I am guessing, there may be some smooth pastel added to enhance the color in places. Wolff’s adept painting skill brings out details with multi-colored painted line work on top of the washes.
Unusual touches like the addition of saturated royal blue to highlight the black coat of the dog and crow feathers add an interesting pop of color. The great asset of acrylic gouache is that it can be both transparent or opaque, enabling Wolff to add light line work on top of dark washes.
What does it take to help a pumpkin grow? Find out in this warm, rhyming tale of gardening and unexpected friendship.
Dog is planting a garden, doing all he can to help his pumpkins grow: protecting them from snow, weeding and watering their patch, and keeping them safe from barnyard creatures who might eat the sprouts! But are Crow, Rabbit, Duck, and Goat really out to destroy the garden? Or are they be new friends hoping to pitch in and help the pumpkins thrive?
While I love traditional painting as well as digital art, I also love imaginative and unconventional mixings of media. Harriet Muncaster’s sweet book I Am a Witch’s Cat exhibits beautifully staged photos of hand-built miniature scenes complete with fabrics and of all things, flat cut-out line art with simple color.
Added elements of strong light sources pouring in through windows and doors casting shadows that enhance the 3D effects. Little details like sunlight passing through a stained glass-like door cast a charming shadow that bends around a corner.
All the photographed scenes are faced with a flat 2D illustration with the type on the opposite page. The resulting images of hand-built props mixed up with flat line art make me want to pull out the old dollhouse and dress it up.
In this whimsical picture book, a little girl believes her mother is a good witch—and she is a special witch's cat! After all, every good witch needs a black cat. Together, this playful girl and her loving mom are a perfect twosome, whether they are mixing potions, growing magical plants, or dreaming of wild broomstick rides under a full moon.
For each dazzling spread, author-illustrator Harriet Muncaster handcrafted three-dimensional scenes out of paper and mixed media, then photographed them for a truly distinctive look. With each turn of the page, parents and kids will love discovering all the rich details…
This charming picture book is perfect for spooky October nights. Snuggle up and enjoy this impish tale perfect for little goblins everywhere. With rhyming text and Jackie's signature style of illustration, this spirited story is just right for reading aloud. When old Goblin Moon rises on Halloween night, mischievous goblins come out with delight. They dance and swoon, they whoop and play, till one little girl helps them find their way!
Growing up in New England, my mother had a set of books that she kept in the living room, more for display than anything else. It was The Works of Edgar Allen Poe. I read them and instantly became hooked on horror. In the seventh grade, I entertained my friends at a sleepover by telling them the mysterious clanking noise (created by the baseboard heater) was the ghost of a woman who had once lived in the farmhouse, forced to cannibalize her ten children during a particularly bad winter. And I’ve been enjoying scaring people ever since.
In 1939, on a remote Pacific island, botanical researcher Irene Greer plunged off a waterfall to her death, leaving behind a legacy shrouded in secrets. Her great-niece Julia, a struggling journalist recovering from a divorce, seeks answers decades later.
Tasked with retrieving Dr. Greer’s discovery–a flower that could have world-changing properties–Julia unearths a story rife with hidden agendas and a missionary community unwilling to share the truth. As she confronts the eerie legends and a fellow traveler with his own motives, Julia finds that the longer she stays, the thinner the line between reality and the fantastical becomes until she…
From the award-winning author of Dead Souls and Poe comes an all-new bone-chilling novel where a mysterious island holds the terrifying answers to a woman's past and future.
In 1939, on a remote Pacific island, botanical researcher Irene Greer plunges off a waterfall to her death, convinced the spirits of her dead husband and daughter had joined the nightmarchers-ghosts of ancient warriors that rise from their burial sites on moonless nights. But was it suicide, or did a strange young missionary girl, Agnes, play a role in Irene's deteriorating state of mind?
